Big Picture III

- Tony Oursler, Untitled, 1999, Kunstsammlung Nordrhein-Westfalen, © Tony Oursler
Big Picture II (Szenen/Figuren)
April 14, 2012 - January 27, 2013
K21 STÄNDEHAUS
The third installment of Big Picture – an overview of the collection’s large-scale installations – centers around the question: What is presentation? On view in the basement level of K21, designed by Stadler Prenn Architekten Berlin, is a concentrated selection of works which articulate ideas about roles, identity, and the self in contemporary art.
Fresh Widow

- René Magritte, La lunette d’approche (Das Fernglas), 1963, Öl auf Leinwand, 175,5 x 116 cm, The Menil Collection, Houston, CR 969, © VG Bild-Kunst, Bonn 2012, Foto: Hickey-Robertson, Houston
The Window in Art since Matisse and Duchamp
March, 31- August, 12, 2012
K20 GRABBEPLATZ
For centuries, the window has been found among the most favored artistic motifs. The picture of a "room with a view" in which the window marks the threshold between exterior and interior has long fostered reflections on the medium of painting itself.
Roman Ondák

- Installation view "Roman Ondák - Within Reach of Hand or Eye", K21 Ständehaus, 25.02. – 28.05.2012, The Hill Seen from Afar, 2011, © artist, photo: Achim Kukulies
Within Reach of Hand or Eye
February 25 - May 28, 2012
K21 STÄNDEHAUS
At the latest since his much-acclaimed work for the Czech and Slovakian Pavilion at the Venice Biennale of 2009, Roman Ondák (born 1966, lives in Bratislava) has been regarded as a key figure among younger artists who have taken up and developed the traditions of conceptual, process-oriented, and installation art in strikingly independent ways.
Wojciech Bąkowski – Piotr Bosacki

- Wojciech Bąkowski, The Interval of Remembering, 2011, installation view Schmela Haus, photo: Achim Kukulies
DA SIĘ WYTRZYMAĆ
IT’S BEARABLE
February 03 - June 10, 2012
SCHMELA HAUS
This duo of Polish artist, born respectively 1979 and 1977 in Poznan/Poland, where both still live, have collaborated in particular on literary and musical themes. Typically for their generation, both artists pursue a confrontation with a reality apparently devoid of plan or aim, while at the same time maintaining an existential commitment characterized by philosophical and poetic penetration.

