Anni Albers, Europe, 1930-33, photograph by Josef Albers, © The Josef and Anni Albers Foundation / VG Bild-Kunst, Bonn 2018

Anni Albers

09 June – 09 September 2018
K20 Grabbeplatz

The exhibition Anni Albers showcases a remarkable artist who created her formidable and multifaceted oeuvre mainly at the weaving loom. Anni Albers (1899–1994) studied during the 1920s at the innovative Bauhaus School in Weimar and Dessau, whose teachers included Paul Klee and Wassily Kandinsky, along with her husband Josef Albers. After emigrating to the United States, she taught at Black Mountain College, a unique place of learning where artistic and scientific disciplines reinforced one another.

The exhibition is being organized by the Kunstsammlung Nordrhein-Westfalen, Düsseldorf, and the Tate Modern, London.



Cao Fei, Haze and Fog, 2013, Courtesy the artist and Vitamin Creative Space

Cao Fei

06 October 2018 – 13 January 2019
K21 Ständehaus

The K21 is presenting the first comprehensive exhibition in Germany devoted to the Beijing-based artist Cao Fei. The featured videos, photographs, and multimedia installations by this pioneer of the post-internet-generation are representative of her artistic oeuvre as a whole. Oscillating between reality and fiction, her art reflects upon China's societal and urban situation, characterized today by continual and massive change. Cao Fei (*1978) draws upon her local and personal milieu in Beijing, at the same time integrating traditional Chinese rituals into her work. She exploits the latest digital media for projects that alternate visually between the aesthetic realms of documentary, feature film, and virtual reality.

In cooperation with MoMA PS1, New York, and the Julia Stoschek Collection, Düsseldorf/Berlin.


Lasar Segall, Encontro, ca. 1924, Acervo Museu Lasar Segall – IBRAM/MinC, © Museu Lasar Segall

museum global.
Microhistories of an Ex-centric Modernism

10 November 2018 – 10 March 2019
K20 Grabbeplatz

With a point of departure in a critical engagement with our own collection, museum global – a research and exhibition project of the Kunstsammlung Nordrhein-Westfalen – focuses on selected instances of a transcultural modernism that is situated beyond the Western canon.

With microhistories from Japan, Brazil, Mexico, China, India, Lebanon, or Nigeria (1910 to 1960), the museum interrogates not just a Eurocentric version of art history, but our own perspectives as well. Via a lively forum, the museum is opening itself up toward urban society and initiating a discussion involving diverse communities, art, scholarship, and research.