The Travels of Max Slevogt and Paul Klee
6 September, 2014 – 4 January, 2015
Among travelers to Egypt were the Impressionist painter Max Slevogt (1868-1932) and Paul Klee (1979-1940), a leading representative of the artistic avant-garde. In the exhibition, approximately 130 paintings, watercolors, and drawings – all produced in connection with their Egyptian travels – elucidate the upheavals that occurred during the transition from Impressionism to Classical Modernism. This exhibition has received generous support in the form of high-quality loan works from museums in Germany and abroad, along with renowned private collections. Complementing the presentation of artworks are historic photographs and documents.
September 06, 2014 – January 04, 2015
In his first major museum exhibition in Germany Egyptian artist Wael Shawky (*1971) presents his film trilogy Cabaret Crusades, in which marionettes cabaret-like reenact the history of the medieval crusades. Shawky’s multiple awarded films explore the ways in which projections and manipulations of the foreign, as well as confrontations with it, actually function. What lies behind the multi-faceted mechanisms of constructing and telling history? While the first two parts of Shawky’s Cabaret Crusades will be expansively screened at Grabbehalle from 6 September, the in cooperation with the Kunstsammlung Nordrhein-Westfalen produced third part The Secrets of Karbala will be shot in the same space and premiere at 4 December. Until then Wael Shawky and the Kunstsammlung Nordrhein-Westfalen will transform the exhibition space into a site of art production in an unprecedented way.
May 10 - September 21, 2014
Katharina Sieverding’s Stauffenberg-Block (I–XVI /1969), from the permanent collection of the Kunstsammlung, forms the center of this exhibition in the Bel Etage of the K21. Due to its enormous dimensions, this ensemble – consisting of 16 large-format color photographs of the artist – can be shown only infrequently.
Tomás Saraceno - in orbit
until spring 2015 (estimated)
Suspended more than 25 meters above the piazza of the K21 is Tomás Saraceno‘s gigantic installation in orbit. This steel wire construction spans the museum‘s vast glass cupola on three different levels. Positioned within this net structure, which encompasses altogether 2500 m², are half a dozen „spheres“ – inflated spheres having diameters up to 8.5 meters. Visitors have access to this transparent installation, and can move freely between the spheres on all three levels.