Annette Messager

Annette Messager, Les Interdictions en 2014, 2014, ungefähr 50 gerahmte Zeichnungen (nicht grösser als je 30 x 30 cm) und Figuren aus Stoff, 85 x 75 x 30 cm, Courtesy Annette Messager/ Marian Goodman Gallery Paris/ New York,

Exhibition / Exposition

27 September, 2014 – 22 March, 2015

Annette Messager is a key figure on today’s international art scene, an artist whose oeuvre prepared the ground for contemporary French art. Nonetheless, her last solo show in a German museum took place almost 25 years ago. Now, this exhibition at the K21 provides art lovers with an opportunity to rediscover her. On view will be works dating from the late 1980s to the present. The series Les interdictions en 2014 was produced especially for the exhibition at the K21.


To Egypt!

Paul Klee, vermessene Felder, 1929,47 (N 7) Aquarell und Bleistift auf Papier auf Karton, 30,4 x 45,8 cm, Kunstsammlung Nordrhein-Westfalen, Düsseldorf

The Travels of Max Slevogt and Paul Klee

6 September, 2014 – 4 January, 2015

Among travelers to Egypt were the Impressionist painter Max Slevogt (1868-1932) and Paul Klee (1979-1940), a leading representative of the artistic avant-garde. In the exhibition, approximately 130 paintings, watercolors, and drawings – all produced in connection with their Egyptian travels – elucidate the upheavals that occurred during the transition from Impressionism to Classical Modernism. This exhibition has received generous support in the form of high-quality loan works from museums in Germany and abroad, along with renowned private collections. Complementing the presentation of artworks are historic photographs and documents.


Wael Shawky

Videostill: Wael Shawky, Cabaret Crusades II: The Path to Cairo, 2012, video, color, sound, 58‘, Courtesy the artist and Sfeir-Semler Gallery Beirut/Hamburg

Cabaret Crusades

September 06, 2014 – January 04, 2015

In his first major museum exhibition in Germany Egyptian artist Wael Shawky (*1971) presents his film trilogy Cabaret Crusades, in which marionettes cabaret-like reenact the history of the medieval crusades. Shawky’s multiple awarded films explore the ways in which projections and manipulations of the foreign, as well as confrontations with it, actually function. What lies behind the multi-faceted mechanisms of constructing and telling history? While the first two parts of Shawky’s Cabaret Crusades will be expansively screened at Grabbehalle from 6 September, the in cooperation with the Kunstsammlung Nordrhein-Westfalen produced third part The Secrets of Karbala will be shot in the same space and premiere at 4 December. Until then Wael Shawky and the Kunstsammlung Nordrhein-Westfalen will transform the  exhibition space into a site of art production in an unprecedented way.


Tomás Saraceno

Installation "Tomás Saraceno - in orbit", K21 Ständehaus, photo: Studio Saraceno, © Tomás Saraceno

Tomás Saraceno - in orbit

until spring 2015 (estimated)
K21 Ständehaus

Suspended more than 25 meters above the piazza of the K21 is Tomás Saraceno‘s gigantic installation in orbit. This steel wire construction spans the museum‘s vast glass cupola on three different levels. Positioned within this net structure, which encompasses altogether 2500 m², are half a dozen „spheres“ – inflated spheres having diameters up to 8.5 meters. Visitors have access to this transparent installation, and can move freely between the spheres on all three levels.