Katharina Sieverding’s Stauffenberg-Block (I–XVI /1969), from the permanent collection of the Kunstsammlung, forms the center of this exhibition in the Bel Etage of the K21. Due to its enormous dimensions, this ensemble – consisting of 16 large-format color photographs of the artist – can be shown only infrequently. The title refers to Claus von Stauffenberg, the resistance fighter who was executed in 1944 after a failed assassination attempt against Hitler. This early work is combined with two additional series (Maton Solarisation 1969 and Transformer Cyan Solarisation 1973/74). All three ensembles involve the continuous transformation of self-portraits of the artist, which are interpreted conceptually.
Suspended more than 25 meters above the piazza of the K21 is Tomás Saraceno‘s gigantic installation in orbit. This steel wire construction spans the museum‘s vast glass cupola on three different levels. Positioned within this net structure, which encompasses altogether 2500 m², are half a dozen „spheres“ – inflated spheres having diameters up to 8.5 meters. Visitors have access to this transparent installation, and can move freely between the spheres on all three levels.
A new project was launched with #32 by Kunstsammlung Nordrhein-Westfalen in February 2014: A digital magazine, and ambitious platform for art, culture, and the Kunstsammlung Nordrhein-Westfalen. Found in #32 starting will be texts, interviews, essays, photos, and videos on themes related to the Kunstsammlung Nordrhein-Westfalen – and beyond. “making of” provides readers with glimpses behind the scenes of our exhibitions and projects. “artists, live” is devoted to our creative personalities. But we are also on the move internationally for our readers: in “worldwide,” we visit museums and artists around the world. The section entitled “scouting” offers enthralling insights into the national and international art scenes. The website is avalaible in English language.