K20: Edvard Munch

Edvard Munch, The Sun, 1912, oil on canvas, 123 x 176,5 cm, Munchmuseet, Oslo

Edvard Munch –
seen by Karl Ove Knausgård

October 12, 2019 – March 1, 2020
K20

With approximately 140 works that have rarely if ever been exhibited in Germany, the Kunstsammlung Nordrhein-Westfalen presents the “unknown” Edvard Munch (1863 – 1944) at the K20. These paintings, prints, and sculptures were selected by Karl Ove Knausgård (*1968). The internationally celebrated writer, a native Norwegian like Munch himself, achieved worldwide fame with his six-volume autobiographical novel, which has been translated into more than 30 languages and has received numerous prizes. His decidedly personal point of view opens up a fresh perspective of a man who was, arguably, the most important representative of the Scandinavian avant-garde of the early 20th century, while highlighting the continuing relevance of Munch’s concern with the embeddedness of the individual in society.

The exhibition has been organized by the Munch Museum, Oslo, Norway, in partnership with Kunstsammlung Nordrhein-Westfalen, Düsseldorf. It takes place parallel to the Frankfurt Book Fair, which names Norway its guest of honor and center of attention in 2019.

Exhibition page

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K21: Carsten Nicolai. Parallax Symmetry

Carsten Nicolai, "unicolor", 2014, DLP-Projektoren, DMX-LED-Licht, Projektionscreen, Spiegel, Computer, Sound, Bank mit Lautsprechern, Größe variabel, Foto: Julija Stankeviciene

Carsten Nicolai

28.9.-19.1.2020
K21

With roughly forty multimedia works, the exhibition provides an overview of the oeuvre of the artist and musician Carsten Nicolai, who has been active at the interface of visual art, music, and natural science since the early 1990s. Using electronic sound and light material, Carsten Nicolai creates minimalist installations, sound performances, and visualizations of physical phenomena that reflect systems and structures of the media world.

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K21: Banu Cennetoğlu

© Banu Cennetoglu

Banu Cennetoğlu

6.7. – 10.11.2019
K21

At the center of her exhibition at K21, Banu Cennetoğlu presents two sprawling installations that reflect on the formation, circulation and archiving of private and public information and the underlying political, social, and cultural mechanisms.

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K21

Installation "Tomás Saraceno - in orbit", K21 Ständehaus, photo: Studio Saraceno, © Tomás Saraceno

Tomás Saraceno - in orbit

Permanent installation
K21 Ständehaus

Suspended more than 25 meters above the piazza of the K21 is Tomás Saraceno‘s gigantic installation in orbit. This steel wire construction spans the museum‘s vast glass cupola on three different levels. Positioned within this net structure, which encompasses altogether 2500 m², are half a dozen „spheres“ – inflated spheres having diameters up to 8.5 meters. Visitors have access to this transparent installation, and can move freely between the spheres on all three levels.

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